Particle systems for atmospheric visual effects. — tailored for radio professionals.
Discover the StudioWe analyze each shot, perform camera tracking, rotoscoping, and clean plate generation for smooth VFX integration.
3D modeling, texturing, and lighting of CG elements matched precisely to the live-action plate.
Multi-layer compositing with color and grain matching, atmospheric effects, and frame-by-frame quality control.
Good to know
Every project includes a dedicated project manager and clear milestones with approval checkpoints.
All final deliverables are yours — full ownership and usage rights included with every project.
In the Radio sector, professional video content has become essential for standing out in a competitive market. Whether you need promotional material, training content, or brand storytelling, Particle Effects delivers measurable results that transform how radio professionals communicate with their audience.
Radio stations face an existential challenge: their primary product is audio-only, but audience discovery increasingly happens on visual platforms. Video podcasts of radio shows, studio webcams during live broadcasts, and visual audiograms that animate sound waves alongside key quotes help radio content compete in video-dominated feeds. Station tour videos and presenter profile content humanize voices that listeners know intimately but have never seen. Concert and festival sponsorship coverage where the station's on-air talent hosts or interviews artists creates video content that serves both the station's brand and its advertising partners. The transition from audio-only to multimedia requires a mindset shift that video production expertise can accelerate.
82% of internet traffic is now video content. Media companies must produce broadcast-quality video at editorial speed and scale. The shift from text-first to video-first newsrooms demands new workflows, skills, and equipment — while maintaining journalistic standards and editorial integrity.
Digital media competes for attention in 15-second increments. Content must hook viewers instantly, work silently with captions, and adapt to multiple platform formats. Traditional media must reinvent itself while digital-native outlets raise production quality expectations.
A digital news outlet pivoted to video-first content strategy. Their audience tripled in 18 months, advertising revenue grew 230%, and they secured a distribution deal with a major streaming platform based on the quality of their documentary content.
Media video drives sustainable growth: video news content generates 6x more social shares than text, multi-format repurposing extends content lifespan 5x, and video-first newsrooms see 65% higher audience engagement. Media brands with strong video presence command 3x higher CPM rates from advertisers.
1. Plate Preparation: Shot analysis, camera tracking, rotoscoping, and clean plate generation for smooth integration.
2. Asset Creation: 3D modeling, texturing, and lighting of CG elements to match the live-action plate perfectly.
3. Compositing: Multi-layer compositing in Nuke/After Effects with color matching, grain matching, lens distortion, and atmospheric effects.
4. QC & Delivery: Frame-by-frame quality control, final render at full resolution, and delivery with VFX breakdown documentation.
Particle effects generate thousands of individual elements — sparks, embers, dust motes, confetti, snowflakes, magic trails, or abstract shapes — that move according to physics simulations or artistic direction. We build particle systems in Trapcode Particular, Stardust, or Houdini depending on the look you need. These effects add atmosphere, energy, and visual richness to titles, transitions, and hero shots. Unlike stock particle overlays, ours are custom-built to match your color palette, lighting direction, and camera perspective. A particle setup takes 2-4 days per unique system, with variations (color, density, speed) generated from the same base at no extra time.
You receive: final composited shots in ProRes 4444/EXR, VFX breakdown reel, individual element passes (beauty, diffuse, specular, alpha), and project files.
Software: Nuke, After Effects, Houdini, Maya, Cinema 4D | Tracking: PFTrack, SynthEyes | Render: Arnold, V-Ray, Octane | Output: EXR 16/32-bit, ProRes 4444, DPX
Ready to elevate your Radio brand with professional particle effects? Our team combines deep industry expertise with advanced production techniques to deliver content that drives real results. Contact us for a free consultation and custom quote — no commitment required.
Let's discuss your particle effects needs for radio. Free consultation and custom quote — no commitment required.