Technical color correction for consistent shot matching. — tailored for satellite professionals.
Discover the StudioWe review all footage, identify exposure issues, and define the target color palette with mood references and LUT exploration.
Shot-by-shot color correction for consistency, then creative grading with power windows and secondary adjustments.
Broadcast compliance check, HDR/SDR delivery, and export of custom LUTs for your future productions.
Good to know
Every project includes a dedicated project manager and clear milestones with approval checkpoints.
All final deliverables are yours — full ownership and usage rights included with every project.
In the Satellite sector, professional video content has become essential for standing out in a competitive market. Whether you need promotional material, training content, or brand storytelling, Color Correction delivers measurable results that transform how satellite professionals communicate with their audience.
Satellite communication companies operate at the intersection of aerospace engineering and global connectivity — a combination that produces spectacular visual content. Launch footage, ground-station dish arrays tracking orbits, and animated coverage-beam maps showing service areas across oceans and deserts captivate audiences far beyond the industry. For B2B sales to maritime, aviation, and remote-mining clients, video case studies demonstrating connectivity in extreme environments close deals faster than spec sheets. This content distributes through defense and government procurement channels, industry conferences like Satellite Week, and executive briefing centers.
Telecom products and infrastructure — 5G, fiber optic, IoT, cloud services — are technically complex yet must be communicated clearly to both consumers and enterprise clients. 62% of telecom B2B decisions involve video content during the evaluation process.
The challenge is translating invisible technology (networks, bandwidth, latency) into tangible benefits that drive purchasing decisions. Consumer campaigns need emotional appeal while enterprise content requires technical credibility.
A fiber optic provider created neighborhood-level deployment announcement videos with animated coverage maps. Subscription rates increased 56% in targeted areas, and customer acquisition cost decreased 40% compared to direct mail campaigns.
Telecom video drives both consumer and enterprise results: network coverage videos increase subscription rates by 56%, B2B solution explainers shorten sales cycles by 40%, and product comparison videos reduce support call volume by 35%. Telecom brands with video-first communication see 48% higher brand trust scores.
1. Color Analysis: We review all footage, identify exposure/white balance issues, and establish the target look with mood references and LUT exploration.
2. Primary Correction: Exposure normalization, white balance correction, and overall color balance across all shots for consistency.
3. Creative Grade: Scene-by-scene color grading to achieve the desired mood, with custom power windows, secondary corrections, and film emulation.
4. Final QC: Broadcast compliance check (if needed), HDR/SDR delivery, and export of custom LUTs for future use.
Etalonnage (color finishing) is the final technical pass that ensures your graded footage meets broadcast, cinema, or streaming delivery standards. We verify gamut compliance, check for illegal colors, set peak white and black levels, apply trim passes for HDR-to-SDR conversion, and ensure consistency from the first shot to the last. This service typically follows creative grading and is essential for projects destined for TV broadcast (EBU R128 compliance), theatrical release (DCI spec), or platform delivery (Netflix, Amazon specs). Turnaround is 1-2 days for short-form, 3-5 days for features. We provide a QC report with every delivery.
You receive: color-graded master in ProRes/DPX, custom LUT package, before/after comparison frames, HDR and SDR versions, and color-consistent stills for marketing.
Software: DaVinci Resolve Studio, Baselight | Monitoring: FSI DM250, calibrated Rec.709/P3/Rec.2020 | Formats: ACES workflow, CDL, .cube LUT export | HDR: Dolby Vision, HDR10, HLG
Ready to elevate your Satellite brand with professional color correction? Our team combines deep industry expertise with advanced production techniques to deliver content that drives real results. Contact us for a free consultation and custom quote — no commitment required.
Let's discuss your color correction needs for satellite. Free consultation and custom quote — no commitment required.