Technical color correction for consistent shot matching. — tailored for tv channel professionals.
Discover the StudioWe review all footage, identify exposure issues, and define the target color palette with mood references and LUT exploration.
Shot-by-shot color correction for consistency, then creative grading with power windows and secondary adjustments.
Broadcast compliance check, HDR/SDR delivery, and export of custom LUTs for your future productions.
Good to know
Every project includes a dedicated project manager and clear milestones with approval checkpoints.
All final deliverables are yours — full ownership and usage rights included with every project.
In the TV Channel sector, professional video content has become essential for standing out in a competitive market. Whether you need promotional material, training content, or brand storytelling, Color Correction delivers measurable results that transform how tv channel professionals communicate with their audience.
Television channels produce massive volumes of video daily but often struggle with digital-native content formats. A 52-minute documentary or 90-minute talk show does not translate directly to a 60-second Instagram Reel. TV channels need specialized digital teams that can extract, reformat, and enhance broadcast content for social platforms — adding subtitles, reformatting to vertical, creating hook-first edits that work without sound. Promotional campaigns for new shows require trailers cut to multiple lengths and aspect ratios for different platforms. Behind-the-scenes content from popular shows drives social engagement and builds the parasocial relationships that keep audiences loyal across seasons.
82% of internet traffic is now video content. Media companies must produce broadcast-quality video at editorial speed and scale. The shift from text-first to video-first newsrooms demands new workflows, skills, and equipment — while maintaining journalistic standards and editorial integrity.
Digital media competes for attention in 15-second increments. Content must hook viewers instantly, work silently with captions, and adapt to multiple platform formats. Traditional media must reinvent itself while digital-native outlets raise production quality expectations.
A digital news outlet pivoted to video-first content strategy. Their audience tripled in 18 months, advertising revenue grew 230%, and they secured a distribution deal with a major streaming platform based on the quality of their documentary content.
Media video drives sustainable growth: video news content generates 6x more social shares than text, multi-format repurposing extends content lifespan 5x, and video-first newsrooms see 65% higher audience engagement. Media brands with strong video presence command 3x higher CPM rates from advertisers.
1. Color Analysis: We review all footage, identify exposure/white balance issues, and establish the target look with mood references and LUT exploration.
2. Primary Correction: Exposure normalization, white balance correction, and overall color balance across all shots for consistency.
3. Creative Grade: Scene-by-scene color grading to achieve the desired mood, with custom power windows, secondary corrections, and film emulation.
4. Final QC: Broadcast compliance check (if needed), HDR/SDR delivery, and export of custom LUTs for future use.
Etalonnage (color finishing) is the final technical pass that ensures your graded footage meets broadcast, cinema, or streaming delivery standards. We verify gamut compliance, check for illegal colors, set peak white and black levels, apply trim passes for HDR-to-SDR conversion, and ensure consistency from the first shot to the last. This service typically follows creative grading and is essential for projects destined for TV broadcast (EBU R128 compliance), theatrical release (DCI spec), or platform delivery (Netflix, Amazon specs). Turnaround is 1-2 days for short-form, 3-5 days for features. We provide a QC report with every delivery.
You receive: color-graded master in ProRes/DPX, custom LUT package, before/after comparison frames, HDR and SDR versions, and color-consistent stills for marketing.
Software: DaVinci Resolve Studio, Baselight | Monitoring: FSI DM250, calibrated Rec.709/P3/Rec.2020 | Formats: ACES workflow, CDL, .cube LUT export | HDR: Dolby Vision, HDR10, HLG
Ready to elevate your TV Channel brand with professional color correction? Our team combines deep industry expertise with advanced production techniques to deliver content that drives real results. Contact us for a free consultation and custom quote — no commitment required.
Let's discuss your color correction needs for tv channel. Free consultation and custom quote — no commitment required.