Broadcast-standard color correction for delivery specs. — tailored for fiber optic professionals.
Discover the StudioWe review all footage, identify exposure issues, and define the target color palette with mood references and LUT exploration.
Shot-by-shot color correction for consistency, then creative grading with power windows and secondary adjustments.
Broadcast compliance check, HDR/SDR delivery, and export of custom LUTs for your future productions.
Good to know
Every project includes a dedicated project manager and clear milestones with approval checkpoints.
All final deliverables are yours — full ownership and usage rights included with every project.
In the Fiber Optic sector, professional video content has become essential for standing out in a competitive market. Whether you need promotional material, training content, or brand storytelling, Colorimetric Correction delivers measurable results that transform how fiber optic professionals communicate with their audience.
Fiber-optic providers need to convince neighborhoods and municipalities that months of street disruption are worth the result. Video documenting the installation process — micro-trenching machines cutting through asphalt, fusion-splicing technicians working in manholes, and the satisfying moment a household runs its first gigabit speed test — turns a construction nuisance into an upgrade story. Time-lapse videos of entire street rollouts compress weeks of work into 60-second social clips. These assets support door-to-door sales teams, municipal approval presentations, and targeted Facebook ads for newly eligible neighborhoods.
Telecom products and infrastructure — 5G, fiber optic, IoT, cloud services — are technically complex yet must be communicated clearly to both consumers and enterprise clients. 62% of telecom B2B decisions involve video content during the evaluation process.
The challenge is translating invisible technology (networks, bandwidth, latency) into tangible benefits that drive purchasing decisions. Consumer campaigns need emotional appeal while enterprise content requires technical credibility.
A fiber optic provider created neighborhood-level deployment announcement videos with animated coverage maps. Subscription rates increased 56% in targeted areas, and customer acquisition cost decreased 40% compared to direct mail campaigns.
Telecom video drives both consumer and enterprise results: network coverage videos increase subscription rates by 56%, B2B solution explainers shorten sales cycles by 40%, and product comparison videos reduce support call volume by 35%. Telecom brands with video-first communication see 48% higher brand trust scores.
1. Color Analysis: We review all footage, identify exposure/white balance issues, and establish the target look with mood references and LUT exploration.
2. Primary Correction: Exposure normalization, white balance correction, and overall color balance across all shots for consistency.
3. Creative Grade: Scene-by-scene color grading to achieve the desired mood, with custom power windows, secondary corrections, and film emulation.
4. Final QC: Broadcast compliance check (if needed), HDR/SDR delivery, and export of custom LUTs for future use.
Colorimetric correction is the technical foundation that comes before creative grading — it ensures every shot is properly exposed, white-balanced, and free of color casts. We match shots within a scene so that skin tones, white objects, and background colors are consistent regardless of changing daylight or mixed lighting on set. We use vectorscope, waveform, and histogram analysis in DaVinci Resolve to make objective, measured adjustments. This service is essential for multicam shoots, multi-day productions, and any project where footage from different cameras or lenses needs to look unified. Turnaround is 1-2 days for up to 30 minutes of content.
You receive: color-graded master in ProRes/DPX, custom LUT package, before/after comparison frames, HDR and SDR versions, and color-consistent stills for marketing.
Software: DaVinci Resolve Studio, Baselight | Monitoring: FSI DM250, calibrated Rec.709/P3/Rec.2020 | Formats: ACES workflow, CDL, .cube LUT export | HDR: Dolby Vision, HDR10, HLG
Ready to elevate your Fiber Optic brand with professional colorimetric correction? Our team combines deep industry expertise with advanced production techniques to deliver content that drives real results. Contact us for a free consultation and custom quote — no commitment required.
Let's discuss your colorimetric correction needs for fiber optic. Free consultation and custom quote — no commitment required.