Broadcast-standard color correction for delivery specs. — tailored for tv channel professionals.
Discover the StudioWe review all footage, identify exposure issues, and define the target color palette with mood references and LUT exploration.
Shot-by-shot color correction for consistency, then creative grading with power windows and secondary adjustments.
Broadcast compliance check, HDR/SDR delivery, and export of custom LUTs for your future productions.
Good to know
Every project includes a dedicated project manager and clear milestones with approval checkpoints.
All final deliverables are yours — full ownership and usage rights included with every project.
In the TV Channel sector, professional video content has become essential for standing out in a competitive market. Whether you need promotional material, training content, or brand storytelling, Colorimetric Correction delivers measurable results that transform how tv channel professionals communicate with their audience.
Television channels produce massive volumes of video daily but often struggle with digital-native content formats. A 52-minute documentary or 90-minute talk show does not translate directly to a 60-second Instagram Reel. TV channels need specialized digital teams that can extract, reformat, and enhance broadcast content for social platforms — adding subtitles, reformatting to vertical, creating hook-first edits that work without sound. Promotional campaigns for new shows require trailers cut to multiple lengths and aspect ratios for different platforms. Behind-the-scenes content from popular shows drives social engagement and builds the parasocial relationships that keep audiences loyal across seasons.
82% of internet traffic is now video content. Media companies must produce broadcast-quality video at editorial speed and scale. The shift from text-first to video-first newsrooms demands new workflows, skills, and equipment — while maintaining journalistic standards and editorial integrity.
Digital media competes for attention in 15-second increments. Content must hook viewers instantly, work silently with captions, and adapt to multiple platform formats. Traditional media must reinvent itself while digital-native outlets raise production quality expectations.
A digital news outlet pivoted to video-first content strategy. Their audience tripled in 18 months, advertising revenue grew 230%, and they secured a distribution deal with a major streaming platform based on the quality of their documentary content.
Media video drives sustainable growth: video news content generates 6x more social shares than text, multi-format repurposing extends content lifespan 5x, and video-first newsrooms see 65% higher audience engagement. Media brands with strong video presence command 3x higher CPM rates from advertisers.
1. Color Analysis: We review all footage, identify exposure/white balance issues, and establish the target look with mood references and LUT exploration.
2. Primary Correction: Exposure normalization, white balance correction, and overall color balance across all shots for consistency.
3. Creative Grade: Scene-by-scene color grading to achieve the desired mood, with custom power windows, secondary corrections, and film emulation.
4. Final QC: Broadcast compliance check (if needed), HDR/SDR delivery, and export of custom LUTs for future use.
Colorimetric correction is the technical foundation that comes before creative grading — it ensures every shot is properly exposed, white-balanced, and free of color casts. We match shots within a scene so that skin tones, white objects, and background colors are consistent regardless of changing daylight or mixed lighting on set. We use vectorscope, waveform, and histogram analysis in DaVinci Resolve to make objective, measured adjustments. This service is essential for multicam shoots, multi-day productions, and any project where footage from different cameras or lenses needs to look unified. Turnaround is 1-2 days for up to 30 minutes of content.
You receive: color-graded master in ProRes/DPX, custom LUT package, before/after comparison frames, HDR and SDR versions, and color-consistent stills for marketing.
Software: DaVinci Resolve Studio, Baselight | Monitoring: FSI DM250, calibrated Rec.709/P3/Rec.2020 | Formats: ACES workflow, CDL, .cube LUT export | HDR: Dolby Vision, HDR10, HLG
Ready to elevate your TV Channel brand with professional colorimetric correction? Our team combines deep industry expertise with advanced production techniques to deliver content that drives real results. Contact us for a free consultation and custom quote — no commitment required.
Let's discuss your colorimetric correction needs for tv channel. Free consultation and custom quote — no commitment required.